The dTective® Forensic Video Analysis Suite is a suite of software solutions for Forensic Video Analysis and Image Clarification. Over 1,500 dTective® systems are already being used successfully by federal, state and local law enforcement agencies including the FBI, CIA, and DEA as well as other government and private security groups in the U.S. and around the world.
No one tool does it all.
Omnivore and Omnivore Field Kit are for screen capture and digital media processing, in the lab and in the field.
ClearID is an expanded suite of image clarification filters.
QuickDME is a digital evidence workflow solution with a database backend that streamlines all your digital media evidence processing from acquisition to dissemination .
So where does dTective and a non-linear editor such as Avid Media Composer fit in?
dTective is a suite of plugins for Avid Media Composer along with stand alone tools like archive-R and dPlex Pro.
So with dTective/Media Composer, you have the full set of Avid Media Composer non-linear editing features such as a video editing timeline, titling, transitions, and you get dTective plugins that streamline forensic evidence processing for things like redaction, frame averaging, and presentation of evidence.
Do you have multiple camera views from one incidence that need aligned even though they start and end at different times? Then you need a non-linear editor such a the award winning, Avid Media Composer.
dTective 8.1 Released – 03/14/2019
dTective for Adobe Premiere Pro & After Effects (BETA) Released – 07/23/2019
View demo videos on our YouTube channel
dTective® is a suite of tools that includes plugins for Avid Media Composer, as well as three stand-alone applications; DVR dCoder, dPlex Pro, and archive-R.
SpotLight/Redact – For quickly highlighting/obscuring objects. New SpotLight/Redact allow you to process up to 4 targets at a time. For more, add S/R a second time.
dVeloper – Realtime Frame Averaging – With dVeloper, all the settings are realtime from how many frames to average, to size and location of your region of interest, to selecting different color channels. For realtime frame averaging drop dVeloper on your video clip, just scroll to the location in the video you want to frame average, lasso the region and that area will instantly be frame averaged. Once you get your initial results, you can easily change between color channels to see which give you to best results. Other products make you set them up, select a save to location, name it, wait for it to render, then see the results. Then if you want to tweak setting to get better results, repeat that process. Not so with dVeloper.
MAGNIFi – Select an smaller area in the video to display larger
arithMATIC – Using Subtraction you can see the pixel difference before and after. Ideal for shop lifting reviews.
Analyze (BETA) (NEW in 8.0) – Search for activity in a Region of Interest (RoI), with adjustable tolerance levels, and automatically keyframe all activity for manual review.
ClearID for image or video processing in Avid Media Composer – 15ea. ClearID effects to use in Avid Media Composer. All effects have the same user interface & settings as when they are used through the ClearID Workflow in Adobe Photoshop.
dPlex/dPlex Pro – Two ways to dPlex video when its been multiplexed.
archive-R – A stand alone application for archiving digital media files into one hashed file. Compatable with Avid Media Composer Projects but also useful for hashing and zipping up any files you want to process.
With dTective 8.1, you have 15 ClearID filters that have been ported to Avid AVX plugins so you can processing video or images in Avid
You also get an updated dTective AVX Suite of plugins that includes an updated SpotLight/Redact, dVeloper and all new Analyze (BETA) effects