Avid NEXIS E5

Let’s Talk Storage Solutions for Digital & Multimedia Evidence

If you work with digital evidence you know you need secure, reliable, flexible storage solutions. Regardless of which tools you use to process Digital & Multimedia Evidence (DME) or even which discipline(s) you specialize in, high-capacity reliable storage is a fundamental commonality and requirement. As each day passes law enforcement and government agencies struggle with […]

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Media Composer 2020.9 – Export to MP4 – Avid’s Universal Media Engine (UME) is FAST!

Avid’s Universal Media Engine (UME) was introduced in Media Composer 2019.6 in order to provide MXF Op1a support, and it has been regularly updated and improved since then.  It is a game changer for MP4 and MOV file-based workflows: Improved performance, by the way, in most cases by multiple factors!  Improved performance when Linking & […]

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Avid Media Composer software

Avid Media Composer Support for dTective®v8.1

It seems hard to believe, but Avid is currently supporting three (3) different long term release branches of Media Composer; 2018.x, 2019.x, and 2020.x.  An entirely new streamlined interface was introduced with 2019.x less than a year ago, and just over a month ago they released 2020.x with several media & project management improvements/changes.  All […]

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dTective® Forensic Video Analysis Suite

dTective v8.0 – Updated SpotLight/Redact & New Analyze (BETA)

dTective® 8.0 made a big splash at the LEVA conference last week and was officially released on Monday.  dTective® 8.0 includes our updated SpotLight/Redact effect and our new Analyze (BETA) effect. SpotLight/Redact SpotLight/Redact is an effect that allows you to highlight and/or obscure up to four (4) separate areas within your video clip via one […]

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Overlay Timecode Information on an Avid Media Composer Sequence

Having video evidence from multiple cameras for an investigation becomes more common as each day passes.  With multiple camera views and/or videos from different sources, aligning those videos into a multi-track timeline can be the most thorough and powerful way to interrogate and digest the material, both from an investigative standpoint as well as from […]

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Forensic Video Analysis – FVA 101 (4-Day)

Introduction to Forensic Video Analysis is 4 day course that provides a comprehensive approach to your casework for both digital and analog video evidence with a primary focus on our stream-lined workflows and digital media processing. It is intended for anyone who is new to the field of FVA or persons who have not been formally trained using these tools.

CLASS IS SOLD OUT (FULL)

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Media Composer v8.6 – The Source Browser

Avid Media Composer 8.6 will change the way you think about Media Composer.  Getting media into Media Composer couldn’t be much easier; simply browse, preview, select, and go.  It’s really that simple, whether you’re importing or Linking to media (a.k.a. AMA).  In either case, you can even begin working right away as you transcode in […]

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Forensic Video Analysis – FVA 101 (4-Day)

Introduction to Forensic Video Analysis is 4 day course that provides a comprehensive approach to your casework for both digital and analog video evidence with a primary focus on our stream-lined workflows and digital media processing. It is intended for anyone who is new to the field of FVA or persons who have not been formally trained using these tools.

CLASS IS FULL

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