Today we’re excited to announce that we’ve officially released dTective® 8.5.10 for Adobe Premiere Pro, which includes our new Matrix LE 2×2 effect! This release requires a 64-bit version of Adobe Premiere Pro version CS6 or newer, up to and including Premiere Pro 2021 (v15.x). This release is already unlocked for those with a current […]
Continue readingJoin us for this free one hour webinar where you’ll learn about the very latest products & solutions from Ocean Systems, including: New & existing products and features you may be missing that can improve your productivity September, 2021 sales specials & limited time upgrade offers Remote training offerings, and… We’ll of course be showing […]
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Today we’re excited to announce the release of dTective® 8.5 for Avid Media Composer AND dTective for Premiere Pro BETA 4.0, both of which include our brand new Matrix LE 2×2™ effect! Matrix LE 2×2™ Matrix LE 2×2 is an easy to use tool that allows you to display up to four tracks of video […]
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archive-R™ version 2.0 is here and is FREE to those In-Support As of 6/1/2021! It’s never been easier to manage your Avid Media Composer projects and media. We’ve super-charged and streamlined archive-R™‘s Avid project indexing, and updated it to accommodate the very latest versions of Media Composer. New Features Include: Supports Avid Media Composer 2020.x […]
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Join us for a free 1hr webinar where we’ll go over the all new “Matrix LE 2×2” effect included in dTective® 8.2 for Avid Media Composer. Matrix LE 2×2 – Easily create quad-views with custom treatments including backgrounds, borders, shadows, size, location and more from your multi-track video alignments! See how the Matrix LE 2×2 […]
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Avid Media Composer 2020.12 was released yesterday, and among several new features is the ability to UME Link-to and export H.265 & AAC! Avid Titler+ improvements and much more are also included in this last release of the year for Media Composer 2020. Avid Media Composer 2020.x is a major leap forward for professional video […]
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Take the time to learn about saving even more time, with Avid Media Composer 2020.x
Join us for this live webinar where we’ll review the new interface & some of the noteable changes, and share a few tips on preparing for your migration.
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If you work with digital evidence you know you need secure, reliable, flexible storage solutions. Regardless of which tools you use to process Digital & Multimedia Evidence (DME) or even which discipline(s) you specialize in, high-capacity reliable storage is a fundamental commonality and requirement. As each day passes law enforcement and government agencies struggle with […]
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Avid’s Universal Media Engine (UME) was introduced in Media Composer 2019.6 in order to provide MXF Op1a support, and it has been regularly updated and improved since then. It is a game changer for MP4 and MOV file-based workflows: Improved performance, by the way, in most cases by multiple factors! Improved performance when Linking & […]
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Question – Can you play a clip at its native frame rate even though it doesn’t match the Avid project’s frame rate? Answer – Yes – If you AMA link to the media, that is what Avid Media Composer does by default. This is a question that comes up from time to time, and it […]
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It seems hard to believe, but Avid is currently supporting three (3) different long term release branches of Media Composer; 2018.x, 2019.x, and 2020.x. An entirely new streamlined interface was introduced with 2019.x less than a year ago, and just over a month ago they released 2020.x with several media & project management improvements/changes. All […]
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dTective® 8.0 made a big splash at the LEVA conference last week and was officially released on Monday. dTective® 8.0 includes our updated SpotLight/Redact effect and our new Analyze (BETA) effect. SpotLight/Redact SpotLight/Redact is an effect that allows you to highlight and/or obscure up to four (4) separate areas within your video clip via one […]
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