Avid’s Universal Media Engine (UME) was introduced in Media Composer 2019.6 in order to provide MXF Op1a support, and it has been regularly updated and improved since then. It is a game changer for MP4 and MOV file-based workflows: Improved performance when Linking & Transcoding Improved performance when Importing Improved performance when Exporting Substantially improved […]
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Question – Can you play a clip at its native frame rate even though it doesn’t match the Avid project’s frame rate? Answer – Yes – If you AMA link to the media, that is what Avid Media Composer does by default. This is a question that comes up from time to time, and it […]
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Version 3.0 of our dTective® for Adobe® Premiere Pro BETA has been released, and includes several bug fixes and performance improvements. Didn’t Know About dTective® for Adobe® Premiere Pro? Are you a customer? If so, we strongly encourage you to sign-up for our “Insiders” List-serv Forum, where we announced the BETA release last Friday. dTective® […]
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It seems hard to believe, but Avid is currently supporting three (3) different long term release branches of Media Composer; 2018.x, 2019.x, and 2020.x. An entirely new streamlined interface was introduced with 2019.x less than a year ago, and just over a month ago they released 2020.x with several media & project management improvements/changes. All […]
Continue readingNeed a Quote to Submit to Purchasing? Use our Training Auto Quote Form Introduction to Forensic Video Analysis – dTective/ClearID/Omnivore/Avid Topics will include: workflow concepts, digital and analog video recover, capture & processing, image clarification, basic video editing and annotation, final output options, and media management & archiving. The learning environment consists of lectures and […]
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February Newsletter & Updates including all the latest news on our software and hardware developments.
Continue readingNeed a Quote to Submit to Purchasing? Use our Training Auto Quote form. An introduction to Forensic Video Analysis – dTective/ClearID/Omnivore/Avid Topics will include: workflow concepts, digital and analog video recover, capture & processing, image clarification, basic video editing and annotation, final output options, and media management & archiving. The learning environment consists of lectures […]
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Version 2.0 of our dTective® for Adobe® Premiere Pro BETA has been released, and includes several bug fixes and performance improvements. Didn’t Know About dTective® for Adobe® Premiere Pro? Are you a customer? If so, we strongly encourage you to sign-up for our “Insiders” List-serv Forum Of course, we announced it here too back in […]
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Great news! We’ve published the first 6 months of our 2020 Training Calendar, through June, 2020. But wait, that’s not all, if you keep reading you’ll also learn about our new LIVE On-line Training options, as well as various course updates for 2020 too. 😉 LIVE Remote On-line Training Options Our on-line instruction allows users […]
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The Law Enforcement & Emergency Services Video Association, Inc. (LEVA) will be hosting it’s 30th Annual Training Symposium in Denver, CO kicking off two weeks from today, October 7th through the 11th. For the first time in ~20 years Ocean Systems will not be on-site supporting the event, due to other Product Development & Customer […]
Continue readingNeed a Quote to Submit to Purchasing? Use our Training Auto Quote form. An introduction to Forensic Video Analysis – dTective/ClearID/Omnivore/Avid Topics will include: workflow concepts, digital and analog video recover, capture & processing, image clarification, basic video editing and annotation, final output options, and media management & archiving. The learning environment consists of lectures […]
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dTective® for Adobe Premiere Pro & After Effects is now in Beta! dVeloper, SpotLight/Redact, MAGNIFi, arithMATIC and all of the ClearID are now available in 64-bit versions of Premiere Pro and After Effects, CS6 through CC 2020. Version History Beta Released 06/05/20 – Version 3.0 Beta Released 11/12/19 – Version 2.0 Beta Released 7/23/19 – […]
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