Today we’re excited to announce that we’ve officially released dTective® 8.5.10 for Adobe Premiere Pro, which includes our new Matrix LE 2×2 effect! This release requires a 64-bit version of Adobe Premiere Pro version CS6 or newer, up to and including Premiere Pro 2021 (v15.x). This release is already unlocked for those with a current […]
Continue readingJoin us for this free one hour webinar where you’ll learn about the very latest products & solutions from Ocean Systems, including: New & existing products and features you may be missing that can improve your productivity September, 2021 sales specials & limited time upgrade offers Remote training offerings, and… We’ll of course be showing […]
Continue reading
Today we’re excited to announce the release of dTective® 8.5 for Avid Media Composer AND dTective for Premiere Pro BETA 4.0, both of which include our brand new Matrix LE 2×2™ effect! Matrix LE 2×2™ Matrix LE 2×2 is an easy to use tool that allows you to display up to four tracks of video […]
Continue reading
archive-R™ version 2.0 is here and is FREE to those In-Support As of 6/1/2021! It’s never been easier to manage your Avid Media Composer projects and media. We’ve super-charged and streamlined archive-R™‘s Avid project indexing, and updated it to accommodate the very latest versions of Media Composer. New Features Include: Supports Avid Media Composer 2020.x […]
Continue reading
Join us for a free 1hr webinar where we’ll go over the all new “Matrix LE 2×2” effect included in dTective® 8.2 for Avid Media Composer. Matrix LE 2×2 – Easily create quad-views with custom treatments including backgrounds, borders, shadows, size, location and more from your multi-track video alignments! See how the Matrix LE 2×2 […]
Continue reading
Avid Media Composer 2020.12 was released yesterday, and among several new features is the ability to UME Link-to and export H.265 & AAC! Avid Titler+ improvements and much more are also included in this last release of the year for Media Composer 2020. Avid Media Composer 2020.x is a major leap forward for professional video […]
Continue reading
Take the time to learn about saving even more time, with Avid Media Composer 2020.x
Join us for this live webinar where we’ll review the new interface & some of the noteable changes, and share a few tips on preparing for your migration.
Continue reading
Avid’s Universal Media Engine (UME) was introduced in Media Composer 2019.6 in order to provide MXF Op1a support, and it has been regularly updated and improved since then. It is a game changer for MP4 and MOV file-based workflows: Improved performance, by the way, in most cases by multiple factors! Improved performance when Linking & […]
Continue reading
Question – Can you play a clip at its native frame rate even though it doesn’t match the Avid project’s frame rate? Answer – Yes – If you AMA link to the media, that is what Avid Media Composer does by default. This is a question that comes up from time to time, and it […]
Continue reading
It seems hard to believe, but Avid is currently supporting three (3) different long term release branches of Media Composer; 2018.x, 2019.x, and 2020.x. An entirely new streamlined interface was introduced with 2019.x less than a year ago, and just over a month ago they released 2020.x with several media & project management improvements/changes. All […]
Continue readingNeed a Quote to Submit to Purchasing? Use our Training Auto Quote Form Introduction to Forensic Video Analysis – dTective/ClearID/Omnivore/Avid Topics will include: workflow concepts, digital and analog video recover, capture & processing, image clarification, basic video editing and annotation, final output options, and media management & archiving. The learning environment consists of lectures and […]
Continue reading
February Newsletter & Updates including all the latest news on our software and hardware developments.
Continue reading
