Avid’s Universal Media Engine (UME) was introduced in Media Composer 2019.6 in order to provide MXF Op1a support, and it has been regularly updated and improved since then. It is a game changer for MP4 and MOV file-based workflows: Improved performance, by the way, in most cases by multiple factors! Improved performance when Linking & […]
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Question – Can you play a clip at its native frame rate even though it doesn’t match the Avid project’s frame rate? Answer – Yes – If you AMA link to the media, that is what Avid Media Composer does by default. This is a question that comes up from time to time, and it […]
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It seems hard to believe, but Avid is currently supporting three (3) different long term release branches of Media Composer; 2018.x, 2019.x, and 2020.x. An entirely new streamlined interface was introduced with 2019.x less than a year ago, and just over a month ago they released 2020.x with several media & project management improvements/changes. All […]
Continue readingNeed a Quote to Submit to Purchasing? Use our Training Auto Quote Form Introduction to Forensic Video Analysis – dTective/ClearID/Omnivore/Avid Topics will include: workflow concepts, digital and analog video recover, capture & processing, image clarification, basic video editing and annotation, final output options, and media management & archiving. The learning environment consists of lectures and […]
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February Newsletter & Updates including all the latest news on our software and hardware developments.
Continue readingNeed a Quote to Submit to Purchasing? Use our Training Auto Quote form. An introduction to Forensic Video Analysis – dTective/ClearID/Omnivore/Avid Topics will include: workflow concepts, digital and analog video recover, capture & processing, image clarification, basic video editing and annotation, final output options, and media management & archiving. The learning environment consists of lectures […]
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Version 2.0 of our dTective® for Adobe® Premiere Pro BETA has been released, and includes several bug fixes and performance improvements. Didn’t Know About dTective® for Adobe® Premiere Pro? Are you a customer? If so, we strongly encourage you to sign-up for our “Insiders” List-serv Forum Of course, we announced it here too back in […]
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Great news! We’ve published the first 6 months of our 2020 Training Calendar, through June, 2020. But wait, that’s not all, if you keep reading you’ll also learn about our new LIVE On-line Training options, as well as various course updates for 2020 too. 😉 LIVE Remote On-line Training Options Our on-line instruction allows users […]
Continue readingNeed a Quote to Submit to Purchasing? Use our Training Auto Quote form. An introduction to Forensic Video Analysis – dTective/ClearID/Omnivore/Avid Topics will include: workflow concepts, digital and analog video recover, capture & processing, image clarification, basic video editing and annotation, final output options, and media management & archiving. The learning environment consists of lectures […]
Continue readingNeed a Quote to Submit to Purchasing? Use our Training Auto Quote form. An introduction to Forensic Video Analysis – dTective/ClearID/Omnivore/Avid Topics will include: workflow concepts, digital and analog video recover, capture & processing, image clarification, basic video editing and annotation, final output options, and media management & archiving. The learning environment consists of lectures […]
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dTective® 8.0 made a big splash at the LEVA conference last week and was officially released on Monday. dTective® 8.0 includes our updated SpotLight/Redact effect and our new Analyze (BETA) effect. SpotLight/Redact SpotLight/Redact is an effect that allows you to highlight and/or obscure up to four (4) separate areas within your video clip via one […]
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Introduction to Forensic Video Analysis is 5 day course that provides a comprehensive approach to your casework for both digital and analog video evidence with a primary focus on our stream-lined workflows and digital media processing. It is intended for anyone who is new to the field of FVA or persons who have not been formally trained using these tools.
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